Tight Site Affords New Space from Bass Studio Architects

Some projects are more challenging than others!  Faced with an incredibly tight site and the prospect of simply replacing a one story, existing structure, Bass Studio Architects helped our Client shape a creative solution.  Thinking outside of the box allowed us to create a unique urban jewel box.  The solution provides our Client with commercial space on the first floor, with two new loft units, and a bonus micro unit above.  The building scale is responsive to the neighborhood, urban context and may become one of those unique urban episodes one finds when wandering around vibrant urban areas.

The design process included resolving a myriad of regulatory hurdles in weaving the new structure into the tight site and building mix. Look for it soon!

model vsw.jpg

Bass Studio Architects Working to Rehab and Repurpose Historic Auto Garage

Bass Studio Architects is thrilled to have a hand in renovating the historic F.E. Avery and Son Auto Garage in the Old Towne East neighborhood of Columbus, Ohio. Initially built in 1899, the building facilitated the sale and maintenance of Packard (and eventually Pontiac) automobiles through portions of the 1980's. Noted as "One of the most modern and complete public garages of the Buckeye Capital", the building still retains much of its original charm. We've fallen in love with its timber trusses and large windows, while the building's subsequent additions (dated 1900-1909) introduced unique structural systems that create a diverse array of spaces throughout.

Although parts of the building have seen better days, BSA is working with owner Dean Adamantitis to convert it to a residential/commercial mixed-use.  We are excited to collaborate with our client, the City of Columbus, and the neighborhood give new life to this special character on the East Side.

Revisit Circleville

It’s the time of year!  My mind drifts to The Pumpkin Show, in Circleville, Ohio:
Central Ohioans have been enjoying this festival focused on the harvest, fall and all things PUMPKIN since 1903.  Circleville rolls out the welcome matt for the festival, shutting down the streets in the center of town to vehicular traffic for several days each year.

Ever wonder about the "circle" in Circleville? 
Circleville was in fact laid out as a circular pattern of streets with a courthouse at the center around 1810 . The circle was modified over decades by business leaders assuming a greater efficiency in a grid pattern. By the mid 1850's no trace of the circle remained.

I had always assumed the circle was derived from notions of ideal cities, city planning ideas prevalent at the time of its original platting, or influence from the utopian movements in America in the 1800’s. In fact, the town was laid out inside of a circular Hopewell Indian earthwork that had existed on the site for a millennium (an adjacent square earthwork was connected - perhaps a ceremonial pairing).

Claude Nicholas Ledoux -idealized plan for a city -partially realized

Claude Nicholas Ledoux -idealized plan for a city -partially realized

Hopewell Indian mound - Circleville was laid out inside the circular mound

Hopewell Indian mound - Circleville was laid out inside the circular mound

Circleville - early image

Circleville - early image

The transformation of Circleville over time

The transformation of Circleville over time

Idealized city planning

Idealized city planning

Overlay of Circleville plan on the original Hopewell mounds

Overlay of Circleville plan on the original Hopewell mounds

Throwback Thursday • Staff • Its all about people!

Chris Mannella, Designer:

NOW

NOW

THEN

THEN

Shortly after this picture was taken with his high school band in his hometown of Pittsburgh, PA, Chris attended The Ohio State University where he completed his B.S. in Architecture. He enjoys history, Pirates baseball, and occasionally jammin' out on his guitar. Since joining BSA in 2015, Chris has been involved from start to finish in a wide range of our favorite projects, including Biscuit & Branch and Deg's Chicken. Chris also currently serves both as the Chair of the Education Committee and on the Board of Trustees for the Columbus Landmarks Foundation.

Chris says, "I feel incredibly lucky to have joined the team at BSA. We have a fun workplace such a healthy emphasis on design."


Like to join us in wishing Chris many more productive years at BSA!

Best Breakfast Ever

Ruben Guzman and his wife Patty have a passion for excellence.  They enjoyed the food of the Original Pancake House they routinely visited in Dallas so much that they pursued a franchise opportunity.

They embraced the traditional recipes and demand for first quality ingredients.  Ruben and Patty envisioned a modern interpretation of the traditional pancake house theme.  They pursued quality in the environment, staff and cooks.  Their passion for excellence led to early extensive training for their chefs and cooks in Portland, Oregon, Chicago and St. Louis - no expense spared.

Try it, you will like it!

Original Pancake House, The Shops on Lane Avenue

Coming soon to the Short North: Biscuit & Branch

A big thank you to Columbus Business First for the press on our exciting new project in the Short North.

Bass Studio Architects has been working with Tony Selimi, owner of Westies Gastropub, to renovate a vacant tenant space at 685 N. High St in the Short North. This exciting renovation will be a new restaurant entitled Biscuit & Branch. The architectural focus of the restaurant will be its connection to the street through operable wall systems, and its slopped ceiling plane which will create spaces of varying intimacy as it draws diners around the bar back to the elevated dining in the rear. Westies owner Tony Selimi is active in the interior design and construction. The primary construction is by B7, fronted by Benson Ng. 

 

Workstate

Bass Studio Architects is excited to have our project for Workstate featured in the "Office Space" section of the October issue of Columbus CEO. This column is a feature on office architecture and office design. We greatly appreciate the recognition for the Columbus branch of Workstate, located just north of North Market. 

For more information on the project, either pick up a copy of the October Columbus CEO magazine, or check out the project page on our website HERE.

Independents Day 2016

We would like to thank all of the dedicated artists, designers, and volunteers that put on Independents Day Festival this weekend. A special thanks to Bass Studio Architects own Brandon Doherty, who was one of the dedicated volunteers behind the Play Big zone. We love to see support of local artists, musicians, chefs, and creators. A big thanks to everyone who volunteered, designed or enjoyed the festival. #ID16

Calling all food business entrepreneurs!

Thinking of opening a restaurant? This Thursday, October 15th, the Commissary is hosting a program designed to answer your questions about the process of opening a brick-and-mortar food business.

Presenters include Tim Bass of Bass Studio Architects, Doug Fahrenholz, vice president of The Wasserstrom Company, and Blake Compton, owner of Compton Construction LLC.

For more information and for tickets visit the events page at the Commissary website.

Circleville

It’s the time of year!  My mind drifts to The Pumpkin Show, in Circleville, Ohio:
Central Ohioans have been enjoying this festival focused on the harvest, fall and all things PUMPKIN since 1903.  Circleville rolls out the welcome matt for the festival, shutting down the streets in the center of town to vehicular traffic for several days each year.

Ever wonder about the "circle" in Circleville? 
Circleville was in fact laid out as a circular pattern of streets with a courthouse at the center around 1810 . The circle was modified over decades by business leaders assuming a greater efficiency in a grid pattern. By the mid 1850's no trace of the circle remained.

I had always assumed the circle was derived from notions of ideal cities, city planning ideas prevalent at the time of its original platting, or influence from the utopian movements in America in the 1800’s. In fact, the town was laid out inside of a circular Hopewell Indian earthwork that had existed on the site for a millennium (an adjacent square earthwork was connected - perhaps a ceremonial pairing).

Claude Nicholas Ledoux -idealized popewell Hlan for a city -partially realized

Claude Nicholas Ledoux -idealized popewell Hlan for a city -partially realized

Hopewell Indian mound - Circleville was laid out inside the circular mound

Hopewell Indian mound - Circleville was laid out inside the circular mound

Circleville - early image

Circleville - early image

The transformation of Circleville over time

The transformation of Circleville over time

Idealized city planning

Idealized city planning

Overlay of Circleville plan on the original Hopewell mounds

Overlay of Circleville plan on the original Hopewell mounds

3501 Seoul: Hyde Park - Cincinnati, Ohio • Under Construction

Challenging existing building

Challenging existing building

Beginning to open the opaque facade enfronting Erie Avenue.

Beginning to open the opaque facade enfronting Erie Avenue.

Field sample review - on site

Field sample review - on site

Interior Space taking shape

Interior Space taking shape

A Client's vision is drawn out through the design process.  Follow-through on site, during construction, allows us to continue the conversation with our Client, the builder, site, and the materials.

Follow this space to see the 3501 Seoul vision unfold.

Mozart’s Clintonville

Bass Studio Architects is helping Anand Saha shape the new home for Mozart's Bakery and Piano Bar.

To be located at 4784 North HIgh Street, Columbus, Ohio 43214, in a building many folks will remember as "The Reserve" a fine Oriental rug store, or as the "Cord Camera Building".

The project is in for a building permit as of 1/17/13. The facility as planned will feature an active cafe along the HIgh Street part of the building - with the trademark piano; a more quiet dining area centrally located, large flexible spaces for private dining and arts activities, a full kitchen and on site bakery and ice cream production.

Follow the project at: http://mozartscafe.com

 

Contract Magazine: Designer Perspectives: A Q&A with Timothy Bass, Bass Studio Architects

Original article from Contract Magazine October 3rd, 2011:

Timothy Bass founded Columbus, Ohio-based Bass Studio Architects to be just that: a studio, one that did everything, soup to nuts. And since 1992, he and his Columbus, Ohio-based firm has done just that, offering "creative problem-solving" to clients, many of them restaurateurs, and most of them, repeat customers. Bass entered his first design competition, the 2011 AIA Los Angeles Restaurant Design Awards and won, receiving an honorable mention for the design of Edamame Sushi + Grill in his hometown. Here, he discusses how wanting to be a mechanic led him to architecture, his love of Peruvian food, and how less is ultimately more when it comes to materials.

1. Talk to us about Bass Architects. 
I founded Bass Studio Architects in 1992. Leaving the corporate environment, I had an idea about a looser, more fun practice, modeled more on an atelier than corporation. I wanted to attract and nurture creative people, thus, Bass "Studio." We are a small firm by design; there have been no more than six designers at any time over the last 19 years. I do have a great network of outside resources (I call 'paratroopers') that allow us to build critical mass when we need. The office looks like a sophomore studio I am told. Sketches, samples, graphic samples, trace paper, and models are the primary decorative motif.

While we do not specialize, we have developed extensive expertise in restaurant design. We have also completed a number of smaller urban buildings; some very enjoyable and challenging projects. We are currently working on a project that may combine the two project types in a boutique hotel. We enjoy a cross fertilization of ideas from the wide array of project types we accept. Beyond conventional architecture and interiors, we have designed furniture, murals, light fixtures, artwork, and a unique deconstructed aquarium for one installation. We have designed menus, routinely provide branding and graphics; and recently, we provided smallware, selection, and purchasing services to help outfit a restaurant in Norfolk, Virginia.

My goal starting out was to be a'total design studio.' We are close now. Our feeling is that it is all design; it is all creative problem solving.  

2. What's your favorite part about designing restaurants?
TB: I am frequently amazed at how different functional and character requirements can be between different restaurants even though they are often projects of similar size and essentially the same program.

In addition to having the most complex functional demands of the project types we routinely encounter, restaurants are also expected to provide a transcendent experience. Whether theatrical, sublime, or otherwise themed, the successful restaurant will provide a remove from the commonplace of our everyday lives. Beyond the first impression and movement through the space, the design must also provide interest at the scale of the table for a period of time without subordinating the culinary experience.

It is also rewarding to start with a client or chef's vision of this experience, to work through the design process and end up with a physical environment that is an expression of their vision.

3. What trends are you are paying attention to in hospitality and restaurant projects right now? 
We do take the sustainable design impetus seriously. I hope that it is not a trend. Two of us in the office are LEED AP, BD+C and we are members of the U.S. Green Building Council. We have always practiced "performance design": value-oriented material selection with an eye toward long life cycles and durability.  We've found that a well-conceived design concept does not require expensive or exotic materials (or the latest, hottest...). In fact, in the project that garnered the honorable mention from in the 2011 AIA Los Angeles Restaurant Design awards, the predominant finish was paint!

4. What's the most important thing to remember when designing a restaurant?
Food quality, consistency, and service are the essentials for a successful restaurant. If our work does not support these then we haven't been of service to our client. Ambiance, culture, and art are overlays on the central mission of the restaurant.

5.  You had  designed three restaurants for one client. Can you delve into those projects a bit (location, concept, design)? Why were these a successful collaboration?
Actually, we have designed three restaurants for two sets of clients ,and I am working on the fourth for one of them.  We have also designed three restaurants for one of the largest universities in the country.

Our J.Liu Restaurant and Bar clients, Jason Liu and his wife Tina, began their first casual quick-serve with a dream and willingness to work very hard. Their hard work  has brought  them to the point that they sold that business and have since worked with us on two successful upscale locations of the full-service J.Liu concept. The second J.Liu (third commission with him) unit was a new 18,000-square-foot building that included a banquet facility above the restaurant and service kitchen elements in the basement. We are working on a fourth that will occupy a large part of a block in an upscale community. The project is a mixed use that has been programmatically fluctuating from two to four stories.

Our Asian Gourmet & Sushi Bar client, Charlie Choe, began with a late entry into a project he already had under construction. At the recommendation of the builder of J.Liu, Charlie invited us over to review plans and offer comments in a space he had under construction. He hired us on the spot. We turned that unit around and have since completed two more units for Charlie. The second unit, Edamame Sushi + Grill (shown right), was our first design competition submission (we just haven't felt compelled to pursue these in the past).

Both of these clients trust us. Both of these clients challenge us. With both of these clients, we feel a confidence to pursue interesting ideas and a familiarity that allows us to learn from each other. As a professional we often have a need to educate, but with successful and intensely caring clients, we have to remember to step back and allow ourselves to be educated.

6. Talk about a recent project you completed. What was the concept, solution, location, highlights?
I always say that the toughest problems generate the most interesting solutions. The Edamame Sushi + Grill project leasehold was a horribly long and narrow space with a simple storefront entry. We discussed a mezzanine to exploit the vertical space but there was an enormous girder in the center of the space. We solved this problem by creating intimate dining "pods" at various levels to frame the open kitchen, creating an active environment within the exterior green enclosure (wrapper), not unlike edamame beans within the wrapper.

Creating two very distinct sides to the narrow space visually expands the space and mitigates the narrowness of the space; in fact, with opposing "pods" elevated above the space at the ends of the long orientation, the design reverses the orientation of the space away from the narrowness and storefront issues.

7. What has been one of your most interesting or rewarding restaurant projects?
While winning an award for a recent project was "rewarding," I have to single out our first restaurant design about 17 years ago. We designed a contemporary Peruvian café, the Latin Rooster Rotisserie, for a client living in Columbus. He gave us a modern Peruvian artist for inspiration and street scenes from his hometown in Peru and turned us loose.The restaurant came off quite well. I believe my friends grew tired of me dragging them to the place. One of the first dates with my wife included dragging her to the Latin Rooster (I loved the food too).

8. What's your dream project?
I would like to design a large hotel. I would like to do large urban design; this was the focus of my master's thesis. Perhaps, ideally, these two could merge into a design for a large resort. It is all design.

Bass Studio Architects is Design Competition Finalist

Exciting News! Bass Studio Architects design for Edamame Restaurant is 1 of 7 (non-bar) selected in a competition by the AIA Los Angeles for Restaurant Design in a national competition. The Architectural Jury is 6/24/11 - what we need though is for you to vote for Edamame - ... more

http://www.aialosangeles.org/event/aia-la-2011-restaurant-design-awards-nominees-people-s-choice-voting